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The following takes is my study of cinema as a surface in a time slot as the historical Suomi, Finland’s representation on the movie stage in the form of actors and the movie theatre the audiences that collectively experience the films as history that can be spoken about in day to day life as citizens.
The context of this work stays within surfaces without messages other than the self-evidence of its existence as a visual record that will form a new in my contexts as a selected take based on my self-investigative reasons to deliver this new edit from the history of Finland as in my self-acted performance of delivery of decisions that has produced the study and the takes based as said on the content of self-investigation for my reasons as well the projected truthful visuals in the final selection to exposure the surface in a new context as a visual truth with no messages embedded that poetizes in a soft manoeuvre of romanticism instead self-directed poignancy as not romantic that sips in easily when dealing with the word history that in this case is the history of Suomi Finland as in the previous century.